Love of Chair was a recurring sketch on the television program The Electric Company. It was seen primarily during the 1971–1972 season. The sketch was a parody of classic soap operas, and spoofed numerous aspects of these shows:
The scene was always set in a room with bare featureless walls and floors, and focused on the actions of a boy (played by Skip Hinnant dressed as a pre-teenaged child). In the early sketches, the only other visible object in the room was a simple wooden chair; later sketches occasionally included one or two additional inanimate objects, but the chair would always be visible in the shot during each sketch. During the regular sketches, the boy never spoke; the only voice heard was that of the off-screen announcer.
The format of each sketch was very simple, and showed very little variation over the course of the first season (with the notable exception of the final episode): After a very brief introduction (featuring a title card for the sketch) ("It's time once again for everybody's favorite soap opera, Love of Chair! As our story begins (sometimes "When we last met the boy"), the boy is sitting", the shot would open on the boy in the room, with quiet organ music playing in the background. Initially the boy would hold himself absolutely still while looking off-camera. After a moment's pause, the boy would move and/or perform a simple action (e.g. Stand up, sit down, pick up the chair, etc.) and stop again. While the boy was motionless, the unseen announcer would use a short phrase to describe the boy's most recent action in the style of the old Dick and Jane primers, and in a dramatic tone of voice ("The boy stands up!"). After the announcer had completed this description, the boy would perform another movement or action, and would pause again while the announcer described that action.
After the boy had performed several actions and the announcer had described all of them, the background music became much more dramatic and the camera would zoom in on the motionless boy. The announcer would ask several rhetorical questions about what might happen to the boy, the chair, and sometimes the viewers, again in a very dramatic tone of voice: "Will the boy stand up again? Will the chair break? Will you break the chair?" The announcer's final question (punctuated with a sting of organ music) was always ”And...what about Naomi?“ The announcer would then state, “For the answer to these and other questions”—The image would then briefly jump-cut outside of the featureless room to one of the other cast members of The Electric Company asking a quick non-sequitur (e.g., "What time is it?" “Is this a rerun?” "How do you get to Carnegie Hall?"). The image would then jump-cut back to the room with the boy and the chair, with the announcer (apparently unaware of the interruption) concluding, "Tune in tomorrow for Love of Chair!" In the season 1 finale, the last question was posed by the boy who asked the announcer what he did not say before by mentioning Naomi, "What about... what's her name?".
Selected scenes from "Love of Chair" served as the background for the Friday closing credits during the first season.
The Naomi mentioned in the segment refers to Naomi Foner, who was a producer on the show during the first two seasons and is the mother of actress Maggie Gyllenhaal and actor Jake Gyllenhaal.
In the final “Chair” sequence, which was shown only in season 2, the sketch started normally. However, after performing a few actions the boy turned to face the camera and angrily interrupted the announcer who just said as always, "As our story begins, the boy is sitting" to declare "No, he isn't! The boy is quitting!" The background organ music suddenly stopped, and the camera changed to show a previously unseen door in a corner of the room. The boy slams down his baseball cap and quickly walks across the room and through the door, slamming it loudly behind him. After a moment's silence, the shocked announcer sputtered, "But...what about Naomi?" The scene then faded to black—and reopened on the entire cast of The Electric Company standing on a stage under a banner that read, "What about Naomi?" The cast sang a brief song that repeatedly asked "What about Naomi?" along with other questions about her ("Is she tall?" "Is she fat?"). The final lines of the song ran What about Naomi? What about Naomi? We shall never know. This was one of the last two Love of Chair segments in which Hinnant spoke, and the song that played was never rebroadcast.